{"product_id":"arc-ensemble-chamber-works-by-ernest-kanitz-compact-discs","title":"ARC Ensemble: Chamber Works by Ernest Kanitz - COMPACT DISCS","description":"\u003cb\u003eTitle: \u003c\/b\u003eChamber Works by Ernest Kanitz\u003cbr\u003e\n                                         \u003cb\u003eArtist: \u003c\/b\u003eARC Ensemble\u003cbr\u003e\n                                         \u003cb\u003eLabel: \u003c\/b\u003eChandos\u003cbr\u003e\n                                         \u003cb\u003eProduct Type: \u003c\/b\u003eCOMPACT DISCS\u003cbr\u003e\n                                         \u003cb\u003eUPC: \u003c\/b\u003e0095115237427\u003cbr\u003e\n                                         \u003cb\u003eGenre: \u003c\/b\u003eClassical Artists\u003cbr\u003e\n                                         \u003cb\u003eRelease Date: \u003c\/b\u003e2025-11-21\u003cbr\u003e\n                                         \u003cb\u003eNumber of Discs: \u003c\/b\u003e1\u003cbr\u003e\n                                         \n                                         \u003cbr\u003e\n                                         \n                                         \n                                         The ARC Ensemble's Music in Exile series continues with this exploration of chamber works by Ernest Kanitz. Born into a wealthy Viennese family in 1894, he was encouraged in music by his mother, started piano lessons aged seven, and was composing within a year. Persuaded by his parents to study for a degree in Law, Kanitz also studied piano, music theory, and composition (with Franz Schreker, who also served as a mentor). His reputation grew steadily, his works promoted by conductors such as George Szell and Clemens Krauss. In 1922 he gained a position as a teacher at the New Vienna Conservatory, and in 1930 established the Vienna Women's Chamber Choir, which quickly gained a reputation across Europe for it's performances of Kodaly, Honegger, and Stravinsky (as well as Kanitz!). Although he had converted to Christianity in 1914, his Jewish ancestry necessitated emigration from Austria in 1938, following the annexation of Austria by National Socialist Germany. After a short spell in New York, Kanitz and his wife, Gertrude, moved to Rock Hill, South Carolina, where he had secured a teaching position. Following Gertrude's early death from cancer, Kanitz moved to California, where he established a successful teaching career at the University of Southern California. Retirement from USC in 1960 gave him much more time for composition (although he was still teaching and lecturing), with successful premieres given by the Philadelphia Orchestra, Los Angeles Philharmonic, and San Francisco Symphony, among many others. Following his death in 1978, his music, like that of so many emigre composers, has been forgotten.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTracks:\u003c\/b\u003e\u003cbr\u003e1.1 Sonata, Op. 10 for Violin and Piano~I. Lento non troppo - Allegro giusto (Tempo I) - Un poco più tranquillo - Più che doppio movimento - Presto - Tempo I - Allegro festoso (pochissimo più lento che Tempo I) - Tempo I - Tranquillamente senza ritardare - Più vivo - A tempo (I) (tranquillamente) - Quas \u003cbr\u003e1.2 Sonata, Op. 10 for Violin and Piano~II. Adagio (Tempo I) - Molto più mosso - Moderato - Tempo I - Sospeso, misterioso - Allegro ritmico - Sospeso, misterioso - Allegro ritmico - Andante con moto - Adagio (poco più lento che Tempo I) - Con moto - Non troppo vivo - Tranquillo - Molto adagio, quasi da \u003cbr\u003e1.3 Sonata, Op. 10 for Violin and Piano~III. Epilogo. Allegro leggiero e ritmico - Un poco più tranquillo (ma sempre tempo giusto) - Poco mosso (molto tranquillo) - Tempo I - Tempo giusto - Molto mosso - Allegro molto - Più presto - Molto vivace \u003cbr\u003e1.4 String Quartet in D major~Elegy. Slowly rocking - A little faster - Tempo I - Pochissimo più mosso - Slower and slower \u003cbr\u003e1.5 String Quartet in D major~Rondino. Rather fast, graceful and light - Same tempo - Tempo I - Slightly slower, misterioso - Much faster - Tempo I - Quasi presto \u003cbr\u003e1.6 String Quartet in D major~Old Viennese Tune and Variations. [Theme.] Gently gliding - Variation I. Faster moving - Variation II. Still a little faster - Variation III. Slow, monotonous - Variation IV. Light and fast - Still faster - Slightly slower - Pochissimo meno mosso - Very slow - \u003cbr\u003e1.7 String Quartet in D major~Finale. Very fast (presto) - Pochissimo meno - Tempo I - Graceful and light (always fast) - Gay - With great speed and strong rhythm - Same tempo - Much slower - [Previous tempo] - Much slower - Shadowlike gliding - Poco più mosso - Not much slower - Tempo I - Rapidly vanis \u003cbr\u003e1.8 Sonata for Solo Cello~I. Allegro deciso - Poco più tranquillo - Tempo I - Poco più tranquillo - Tempo I \u003cbr\u003e1.9 Sonata for Solo Cello~II. Poco adagio - Un poco più mosso - Tempo I \u003cbr\u003e1.10 Sonata for Solo Cello~III. Quasi presto e molto leggiero - Più mosso - Tempo I - Quasi danza - Tempo I - [Più mosso] - [Poco meno mosso] - Subito molto mosso \u003cbr\u003e1.11 Concertino for Five Players (Violin, Viola, Clarinet, Double-bass, and Piano)~I. Ouverture. Molto lento e serio - Allegro con spirito - Più commodo - Poco meno mosso - Molto più mosso - Tempo moderato ma sempre con allegrezza - Tempo initiale - Poco meno - Tempo I - Molto lento e serio - Largo non t \u003cbr\u003e1.12 Concertino for Five Players (Violin, Viola, Clarinet, Double-bass, and Piano)~II. Air. Tranquillo molto - Molto più mosso - Tranquillo e solenne - Ancora piu tranquillo \u003cbr\u003e1.13 Concertino for Five Players (Violin, Viola, Clarinet, Double-bass, and Piano)~III. Fugue. Mosso molto volatile ma con ritmo preciso - Poco meno mosso, misterioso - Poco moderato - Poco più mosso - Ancora più mosso - Molto meno - Presto - Quasi adagio - Presto non tanto - Allegro molto energico \u003cbr\u003e1.14 Sonata Californiana for E flat Alto Saxophone and Piano~1. Sky and water, Fragrance, Light. Allegro - Poco meno mosso - Più tranquillamente - Tempo giusto \u003cbr\u003e1.15 Sonata Californiana for E flat Alto Saxophone and Piano~2. Lament. Lento non troppo - Un pochissimo più mosso - Tempo I - Pesante, ma accelerando poco a poco, e sempre più passionato - Più tranquilo \u003cbr\u003e1.16 Sonata Californiana for E flat Alto Saxophone and Piano~3. Hollywood. Allegro spiritoso - Meno mosso (tempo II) - Tempo I - A la marcia - Molto mosso - Adagio quasi recitativo - Quasi andantino (poco meno que tempo II) - Pochissimo più mosso - Tempo I - Allegro assai - Festoso, non troppo mosso - Qu\u003cbr\u003e","brand":"ARC Ensemble","offers":[{"title":"Default Title","offer_id":42125619036231,"sku":"45486531","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2976\/0132\/files\/4454957-3445019.jpg?v=1761388842","url":"https:\/\/tower.com\/products\/arc-ensemble-chamber-works-by-ernest-kanitz-compact-discs","provider":"Tower Records","version":"1.0","type":"link"}