Ivanovs / Kuzma, Guntis / Latvian National Symphony: Ivanovs: Symphonies 15 & 16
Ivanovs / Kuzma, Guntis / Latvian National Symphony
SKU: 41996706
Ivanovs / Kuzma, Guntis / Latvian National Symphony: Ivanovs: Symphonies 15 & 16
Ivanovs / Kuzma, Guntis / Latvian National Symphony
SKU: 41996706
Format: CD
Regular price$16.99
$16.99
/
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Title: Ivanovs: Symphonies 15 & 16
Artist: Ivanovs / Kuzma, Guntis / Latvian National Symphony
Label: Skani
Product Type: COMPACT DISCS
UPC: 4751025440963
Genre: Classical Artists
Janis Ivanovs' (1906-1983) Symphonies Nos. 15 &16 see their world premiere release in this 2021 studio album by the most prominent Latvian orchestra - the LNSO. Available previously only as broadcast copies and ageing LP records from the 70ies and 80ies, these timeless pieces by perhaps the most talented Latvian symphonic composer are now available to a wider audience. Ivanovs' Symphony No. 15 is titled "Symphonia ipsa", or, the "symphony of itself. But it's no secret that such a description could pertain to almost all of his symphonies. In this context, another well-known observation is perhaps even more important, namely, that in every worthwhile work of art, the composer first expresses the most important truths about his or her era, then about society as a whole, and only then about him- or herself. And this fully applies to the art of Ivanovs. Ivanovs composed the Symphony No. 15 in 1972 and the Symphony No. 16 in 1974. Formally, a turning point exists between these two works, because No. 16 marks the beginning of a series of late scores that, to quote musicologist Mikus Ceze, "portray a sense of the times during the decline of Leonid Brezhnev". However, Ivanovs was never much influenced by the optimism of the 1960s, which in the cultural realm of the pre-stagnation era had been sparked by a hint of slightly greater political freedom, obvious progress in the exact sciences, unprecedented success in spaceflight and, yes, also economic growth. As already mentioned, he saw and understood things more clearly than others, which is why the Symphony No. 15 sounds concordant with the next symphony. For this reason, it is worth tracing all of Ivanovs' symphonies to notice at what point the key conceptual patterns that are fully expressed in his musical thinking of the 1970s materialised. This was a society that lived in lies, and Ivanovs saw this very clearly. The world view symbolically portrayed in his music contains a discrepancy between illusion and reality, official propaganda and what is seen on a day-to-day level, precise rationality and never-suppressible emotional feeling and unconscious impulse, mass culture and high art, which, despite politically proclaimed support, felt more and more like an endangered species. Here we hear the discussions of a creative and independent individual with himself as he struggled with egoism, with the phantoms of consciousness, with weaknesses in character, will and intellect, posing questions of an existential nature and at the same time being well aware of the fact that there can be no unequivocal answers. And then a tear appears in the metaphysical fabric of the symphony that reveals a view towards a different reality, one that demands concepts such as rescue, salvation, forgiveness, equalisation. But the composer remains attached to his era and his environment; the need for religious mystery appears as a distant promise, but delving into psychological mysteries provides relief for only a moment.
Tracks:
1.1 Symphony No. 15 "Symphonia Ipsa" in B-Flat minor: I Moderato
1.2 Symphony No. 15 "Symphonia Ipsa" in B-Flat minor: II Molto Allegro
1.3 Symphony No. 15 "Symphonia Ipsa" in B-Flat minor: III Molto Andante (Adagio)
1.4 Symphony No. 15 "Symphonia Ipsa" in B-Flat minor: IV Moderato. Allegro
1.5 Symphony No. 16 in E-Flat Major: I Moderato. Allegro Moderato
1.6 Symphony No. 16 in E-Flat Major: II Allegro
1.7 Symphony No. 16 in E-Flat Major: III Andante. Pesante
1.8 Symphony No. 16 in E-Flat Major: IV Allegro Moderato
Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
Artist: Ivanovs / Kuzma, Guntis / Latvian National Symphony
Label: Skani
Product Type: COMPACT DISCS
UPC: 4751025440963
Genre: Classical Artists
Janis Ivanovs' (1906-1983) Symphonies Nos. 15 &16 see their world premiere release in this 2021 studio album by the most prominent Latvian orchestra - the LNSO. Available previously only as broadcast copies and ageing LP records from the 70ies and 80ies, these timeless pieces by perhaps the most talented Latvian symphonic composer are now available to a wider audience. Ivanovs' Symphony No. 15 is titled "Symphonia ipsa", or, the "symphony of itself. But it's no secret that such a description could pertain to almost all of his symphonies. In this context, another well-known observation is perhaps even more important, namely, that in every worthwhile work of art, the composer first expresses the most important truths about his or her era, then about society as a whole, and only then about him- or herself. And this fully applies to the art of Ivanovs. Ivanovs composed the Symphony No. 15 in 1972 and the Symphony No. 16 in 1974. Formally, a turning point exists between these two works, because No. 16 marks the beginning of a series of late scores that, to quote musicologist Mikus Ceze, "portray a sense of the times during the decline of Leonid Brezhnev". However, Ivanovs was never much influenced by the optimism of the 1960s, which in the cultural realm of the pre-stagnation era had been sparked by a hint of slightly greater political freedom, obvious progress in the exact sciences, unprecedented success in spaceflight and, yes, also economic growth. As already mentioned, he saw and understood things more clearly than others, which is why the Symphony No. 15 sounds concordant with the next symphony. For this reason, it is worth tracing all of Ivanovs' symphonies to notice at what point the key conceptual patterns that are fully expressed in his musical thinking of the 1970s materialised. This was a society that lived in lies, and Ivanovs saw this very clearly. The world view symbolically portrayed in his music contains a discrepancy between illusion and reality, official propaganda and what is seen on a day-to-day level, precise rationality and never-suppressible emotional feeling and unconscious impulse, mass culture and high art, which, despite politically proclaimed support, felt more and more like an endangered species. Here we hear the discussions of a creative and independent individual with himself as he struggled with egoism, with the phantoms of consciousness, with weaknesses in character, will and intellect, posing questions of an existential nature and at the same time being well aware of the fact that there can be no unequivocal answers. And then a tear appears in the metaphysical fabric of the symphony that reveals a view towards a different reality, one that demands concepts such as rescue, salvation, forgiveness, equalisation. But the composer remains attached to his era and his environment; the need for religious mystery appears as a distant promise, but delving into psychological mysteries provides relief for only a moment.
Tracks:
1.1 Symphony No. 15 "Symphonia Ipsa" in B-Flat minor: I Moderato
1.2 Symphony No. 15 "Symphonia Ipsa" in B-Flat minor: II Molto Allegro
1.3 Symphony No. 15 "Symphonia Ipsa" in B-Flat minor: III Molto Andante (Adagio)
1.4 Symphony No. 15 "Symphonia Ipsa" in B-Flat minor: IV Moderato. Allegro
1.5 Symphony No. 16 in E-Flat Major: I Moderato. Allegro Moderato
1.6 Symphony No. 16 in E-Flat Major: II Allegro
1.7 Symphony No. 16 in E-Flat Major: III Andante. Pesante
1.8 Symphony No. 16 in E-Flat Major: IV Allegro Moderato
Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
