Wranitzky / Ndr Radiophilaharmonie: Symphonies, Opp. 37, 50 & 51

Wranitzky / Ndr Radiophilaharmonie: Symphonies, Opp. 37, 50 & 51

Wranitzky / Ndr Radiophilaharmonie: Symphonies, Opp. 37, 50 & 51

Format: CD

Regular price $18.99
/

On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.

Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.

Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.

The estimated shipping times that are displayed at checkout are from the point of dispatch. 

See our shipping policy for more information.

We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.

To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.

In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.

Please see our refund policy for more information.

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Title: Symphonies, Opp. 37, 50 & 51
Artist: Wranitzky / Ndr Radiophilaharmonie
Label: Cpo Records
Product Type: COMPACT DISCS
UPC: 761203794324
Genre: Classical Artists

Individual Symphonies by Paul Wranitzky II According to current research, Paul Wranitzky composed at least 47 symphonies for which sources have been preserved. The symphonies opp. 50 and 51 belong to Wranitzky's last series of symphonies. They were published in late 1804 by Wranitzky's main publisher, André, in Offenbach. The Symphony in D major, op. 37, was published by the same publisher in November 1799. All three works recognizably follow Haydn's model in structure, movement types, and thematic formation, though not without setting individual accents. For example, the opening and closing movements are not thematic in the true sense of the word; Wranitzky treats his motivic material more like a musical construction kit; identical material is used in different places with different functions. The motivic material is deliberately kept simple, but possesses enough specificity to give the individual movements motivic coherence. And once again, the composer's "melodic inventiveness, the effectively juxtaposed rhythms and the effectively exploited orchestral apparatus" (klassik. Com on our first release with Paul Wranitzky, Symphonien (cpo 3493380)

Tracks:

Recently viewed