Armstrong, Louis: Satchmo Plays King Oliver
Armstrong, Louis: Satchmo Plays King Oliver
Format: VINYL LP
Wanting to order from us over the holiday period but need some more information. We are here to help! Please see our Christmas Shipping page for more information.
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
For orders created between November 20th 2024 and December 31st 2024, we have extended our normal return period. For orders made between this period, customers have up to 60 days from the receipt of goods to return an item. Please see our Christmas Returns page for more information.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Artist: Armstrong, Louis
Label: Analogue Prod.
Product Type: VINYL LP
UPC: 753088593017
Genre: Jazz
One of the most important events in the history of jazz took place on a hot July afternoon in 1922. Twenty-two-year-old Louis Armstrong was playing in a parade with the Tuxedo Brass Band in his native New Orleans that afternoon when he received a telegram from the man who had been his mentor a few years earlier - Joe Oliver, the crusty, brilliant cornetist whose place in the jazz world of that day was implicit in the billing he always received, 'King Oliver. 'The telegram asked young Armstrong to join Oliver's celebrated Creole Jazz Band in Chicago, a band which was then generally accepted as the best jazz band in existence. Armstrong leapt at the opportunity, took off for Chicago immediately and for the next two years Louis and Oliver formed the most brilliant two-horn team the jazz world has ever heard. Such a great album, as this one is, deserves the Analogue Productions reissue treatment. Remastered by Bernie Grundman from the original analog tape, the 180-gram super-silent pressing from Quality Record Pressings showcases the sound better than it's ever been heard before. We've topped off the premium vinyl with a tip-on style jacket from Stoughton Printing. This record is Armstrong's tribute to the man who helped shape his trumpet style back in New Orleans and whose invitation to join his band in Chicago put him in the spotlight which has shone on him ever since. There is a heck of a lot of good music on this all-star album. The songs are tunes either written by King Oliver, or tunes that Oliver played. 'St. James Infirmary' is taken at an incredibly slow and eerie pace, and when Louis comes back to repeat the main theme at the end, the effect is breathtaking. Louis sings a charming version of 'Frankie And Johnny' accompanied only by an old-time honky tonk piano. 'Jelly Roll Blues' is a beautiful take on the Jelly Roll Morton Classic. 'Chimes Blues' is deep and bluesy return to the tune Oliver and Armstrong first recorded way back in 1923. The title 'Old Kentucky Home' may seem out of place, but musically the song fits right in, and when Armstrong prompts his band to sing along with him for a chorus, the result is rather touching. 'Panama Rag' is a joyous up tempo romp, and 'I Ain't Gonna Give Nobody None Of This Jelly Roll' is pure Satchmo fun, with Armstrong not in the mood to 'give nobody none to save their soul. ' There is a good amount of straight-up blowing on this album, and the recordings have a more informal feel than Armstrong's other two 'plays' albums - Plays W. C. Handy and Satch Plays Fats. Recorded at Radio Recorders Studio in Hollywood, Calif. Over three days at the end of September and the beginning of October, 1959. Remastered by Bernie Grundman, from the original analog tapes180-gram vinyl plated and pressed by Quality Record Pressings!Tip-on style jacket by Stoughton Printinghttps://youtu. #be/RuiC3yaaDukhttps://youtu. #be/FYTtZEF1p7ITracklist:Side A1. St. James Infirmary (Gambler's Blues)2. I Want A Big Butter & Egg Man3. I Ain't Got Nobody4. Panama5. Dr. Jazz6. Hot Time In The Old Town TonightSide B7. Frankie And Johnny8. I Ain't Gonna Give Nobody None Of This Jelly Roll9. Drop That Sack10. Jelly Roll Blues11. Old Kentucky Home12. Chimes Blues
Tracks:
