Henze / Tainton / Perl / Ruzicka / Ndr So: Boulevard Solitude: Orchestral Interlude
Title: Boulevard Solitude: Orchestral Interlude
Label: Wergo Germany
Product Type: COMPACT DISCS
The music seems to dance - whether it's Henze's "Ballett-Variationen" of 1949, his "Vokaltuch der Kammersängerin Rosa Silber" [Vocal fabric] or his full-length opera "Boulevard Solitude" of 1951, of which we can hear the symphonic interludes on this CD. Henze's "Concertino" for piano and wind orchestra with percussion is "an amusing thing, spielmusik-like", referring to the French compositions of the time, whereas his "Kammerkonzert" of 1946 for piano, flute, and strings, reminds us of the composer's early teacher, Wolfgang Fortner.
Tracks:
1.1 I. Allegro Con Brio
1.2 II. Allegretto Con Grazia
1.3 III. Vivace
1.4 IV. Allegramente
1.5 V. Valse Lente
1.6 VI. Finale. Allegro Maestoso
1.7 Allegretto
1.8 Allegro Pesante
1.9 Molto Vivace
1.10 Introduction
1.11 Pas D'action
1.12 Variationen a Und B
1.13 Intermã¨De
1.14 Pas de Deux
1.15 Conclusion
1.16 Lebhafte Halbe
1.17 Rezitativ Und Arie
1.18 Sehr Lebhaft
1.19 Intermezzo I
1.20 Intermezzo II
1.21 Intermezzo III
1.22 Intermezzo IV
Label: Wergo Germany
Product Type: COMPACT DISCS
The music seems to dance - whether it's Henze's "Ballett-Variationen" of 1949, his "Vokaltuch der Kammersängerin Rosa Silber" [Vocal fabric] or his full-length opera "Boulevard Solitude" of 1951, of which we can hear the symphonic interludes on this CD. Henze's "Concertino" for piano and wind orchestra with percussion is "an amusing thing, spielmusik-like", referring to the French compositions of the time, whereas his "Kammerkonzert" of 1946 for piano, flute, and strings, reminds us of the composer's early teacher, Wolfgang Fortner.
Tracks:
1.1 I. Allegro Con Brio
1.2 II. Allegretto Con Grazia
1.3 III. Vivace
1.4 IV. Allegramente
1.5 V. Valse Lente
1.6 VI. Finale. Allegro Maestoso
1.7 Allegretto
1.8 Allegro Pesante
1.9 Molto Vivace
1.10 Introduction
1.11 Pas D'action
1.12 Variationen a Und B
1.13 Intermã¨De
1.14 Pas de Deux
1.15 Conclusion
1.16 Lebhafte Halbe
1.17 Rezitativ Und Arie
1.18 Sehr Lebhaft
1.19 Intermezzo I
1.20 Intermezzo II
1.21 Intermezzo III
1.22 Intermezzo IV