Frusciante, John: : II .

Frusciante, John SKU: 43215676
Frusciante, John: : II .

Frusciante, John: : II .

Frusciante, John SKU: 43215676

Format: CD

Regular price $22.98
/

Wanting to order from us over the holiday period but need some more information. We are here to help! Please see our Christmas Shipping page for more information.

On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.

Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.

Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.

The estimated shipping times that are displayed at checkout are from the point of dispatch. 

See our shipping policy for more information.

We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.

For orders created between November 20th 2024 and December 31st 2024, we have extended our normal return period. For orders made between this period, customers have up to 60 days from the receipt of goods to return an item. Please see our Christmas Returns page for more information.

To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.

In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.

Please see our refund policy for more information.

This site is protected by hCaptcha and the hCaptcha Privacy Policy and Terms of Service apply.

Title: : II .
Artist: Frusciante, John
Label: Avenue 66
Product Type: COMPACT DISCS
UPC: 4251804129527
Genre: Electronic

"After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines. While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, '... And The Gods Made Love' by Jimi Hendrix, the synths in the song 'Mass Production' by Iggy Pop, and the general idea of Eno's initial concept of ambient music. Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes it's position, are the kinds of movement which it was the role of the synth patches to communicate... I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc. What I needed was to create music from the ground up with nothing but sound, and have that music reflect 'being' rather than 'doing'. It was a therapeutic way of re-balancing myself, before and during my band's mixing process... " -John Frusciante

Tracks:
1.1 Golpin
1.2 MK 2.1
1.3 Pyn
1.4 Blesdob Dot
1.5 Unitiled
1.6 Clank
1.7 Frantay
1.8 Galvation
1.9 Sluice
1.10 Firpln
Recently viewed