Lucier / Buckett / Australian Art Orchestra: Swing Bridge
Lucier / Buckett / Australian Art Orchestra: Swing Bridge
Format: CD
Wanting to order from us over the holiday period but need some more information. We are here to help! Please see our Christmas Shipping page for more information.
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
For orders created between November 20th 2024 and December 31st 2024, we have extended our normal return period. For orders made between this period, customers have up to 60 days from the receipt of goods to return an item. Please see our Christmas Returns page for more information.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Artist: Lucier / Buckett / Australian Art Orchestra
Label: Mode Records
Product Type: COMPACT DISCS
UPC: 764593031222
Genre: Classical
This release brings together two works by Alvin Lucier centered on the pipe organ, a perfect instrument for Lucier's compositional practice. Both are first recordings. "Swing Bridge" was commissioned by this record's ensemble, the Australian Art Orchestra, for the Melbourne Town Hall Grand Organ. The score requires that specific pipes be removed from the organ and run into three specially constructed offset chests, each accommodating two pipes (six pitches total). These pipes are manipulated by three or more performers, known as 'pipe wavers.' This music explores the phenomenon of the organ making it's operation performative and visceral. We hear the way the energy produced by the organ 'sounds' the space in which the music was performed and recorded, and, for those who witnessed the performance, we experienced the physicality of air moving through pipes as the wavers shifted the tuning of each pipe microtonally with their hands. This is conceptual work of the highest order but it is also sensual, beautiful, and engrossing, with the textures of the ensemble woven into the pulsations produced by the organ and the resonances of the room. For "Sizzles" the composer writes: "Drums of various sizes are randomly placed throughout the performance space. Fine materials such as lentils, chickpeas, and candy hearts are sprinkled on the drumheads. As low organ tones are sounded, the skins of the drums vibrate sympathetically, causing the drums to sound and the material to move. Each drum is individually amplified with a contact or air microphone and a separate amplifier."
Tracks: