Mahler / Dusseldorfer Symphoniker / Fischer: Symphony 8
Mahler / Dusseldorfer Symphoniker / Fischer: Symphony 8
Format: CD
Wanting to order from us over the holiday period but need some more information. We are here to help! Please see our Christmas Shipping page for more information.
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
For orders created between November 20th 2024 and December 31st 2024, we have extended our normal return period. For orders made between this period, customers have up to 60 days from the receipt of goods to return an item. Please see our Christmas Returns page for more information.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Artist: Mahler / Dusseldorfer Symphoniker / Fischer
Label: Avi
Product Type: COMPACT DISCS
UPC: 4260085534746
Genre: Classical
Adam Fischer writes of Mahler's 8th Symphonie: "Mahler's Eighth is a special challenge for all participants: in rehearsals, in performance, and, of course, when making a recording. The challenge lies in freeing the music from all of the technical and logistical problems that come with it. Whenever new possibilities emerged in music history (such as new musical instruments), composers tended to introduce the novelty quite frequently in the first phase to show it's potential. A good example was the Mannheim School in the 1700s. The crescendo had just been invented: musicians no longer had to play dynamics in "terraced levels." Mannheim pieces from that period are thus brimming with crescendos: musicians reveled in the new possibilities. Mahler, later on, wanted to explore the possibilities of an orchestra of unprecedented size, particularly in the Eighth. The effects made possible by such an enlargement should not become an end in themselves. That is the special challenge we have faced. If on this recording we have over 500 people singing and playing together, that is only a means, not an end..."
Tracks: