Maillard, Thierry: Moog Project
Maillard, Thierry: Moog Project
Format: CD
Wanting to order from us over the holiday period but need some more information. We are here to help! Please see our Christmas Shipping page for more information.
On average, orders containing available-to-ship items are processed and dispatched within 1-2 business days, although this is not guaranteed.
Orders containing preorder items will ship as 1 fulfillment once all items in the order are available to ship.
Please note, Tower Records Merchandise and Exclusives are dispatched separately. On average, these items take 3-4 business days to dispatch, although this is not guaranteed.
The estimated shipping times that are displayed at checkout are from the point of dispatch.
See our shipping policy for more information.
We have a 30-day return policy, which means you have 30 days after receiving your item(s) to make a return.
For orders created between November 20th 2024 and December 31st 2024, we have extended our normal return period. For orders made between this period, customers have up to 60 days from the receipt of goods to return an item. Please see our Christmas Returns page for more information.
To be eligible for a return of an unwanted item, your item must be in the same condition that you received it and in its original packaging.
In the unfortunate situation that a product is damaged/faulty/incorrect, let us know and we will endeavor to correct any issue as soon as possible.
Please see our refund policy for more information.
Artist: Maillard, Thierry
Label: Ghost Note Records
Product Type: COMPACT DISCS
UPC: 641033910258
Genre: Jazz
It all started with the desire to revive a mythical vintage instrument, the Moog synthesizer, which comes in several models: the Modular, the mini-Moog, the Polymoog, the Multimoog or the Prodigy. When he started his professional career in 1994, Thierry Maillard received a mini-Moog as a gift (offered by Pierre Papadiamantis) which he enjoyed practicing in addition to the piano. He then put it aside, although he continued to listen with a great deal of interest to the fascinating sounds that his heroes, Chick Corea, Herbie Hancock, or Joe Zawinul, were able to produce with the instrument. His great joy was to rediscover, almost thirty years later, not only this instrument, but a range of about twenty electronic instruments (like a painter with his palette of colors) where each moog has it's specificity and precise use, much like Herbie Hancock who surrounded himself with synthesizers at the time of the album "Sunlight" (1978). This reference associated with music from the late 70's is very important. At that time, one did not use loops, sequencers, or other digital loops. Everything was performed live and in analogue. It is this practice of the "live" performance that Thierry Maillard absolutely wanted to capture, without "cheating", without using. The process of re-recording and digital tools. A demanding and complex process which allows him to fully adapt to the scenic experience, where jazz musicians? are used to playing without a safety net, taking all possible risks. The nostalgia for the late 70's and the beginning of the 80's is also reflected through a musical memory linked to a very strong emotion, when as a young teenager, Thierry Maillard discovered and bought with his pocket money the album "Breakfast in America" by the band Supertramp. The formidable melodies of the songs of this English pop group completely fascinated the budding young musician. A period when Supertamp used mostly Wurlitzer electric pianos, but not yet synthesizers. It is precisely for
Tracks:
1.1 It's Raining Again
1.2 Breakfast in America
1.3 Cannonball
1.4 Kristelle
1.5 Towards the Moon
1.6 Free As An Eagle
1.7 Dreamer
1.8 The Logical Song
1.9 All the Things You Are
1.10 Private Joke
1.11 Goodbye Stranger
1.12 Le Bagne
1.13 Do Not Disturb
1.14 Take the Long Way Home
1.15 Moog to the Moon (Edit Radio)