McCleery / Siepmann: Discover: Music of the Romantic
McCleery / Siepmann: Discover: Music of the Romantic
Format: CD
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Artist: McCleery / Siepmann
Label: Naxos Audio Books
Product Type: COMPACT DISCS
UPC: 9789626349526
Genre: Classical
Amidst a background of wars and revolution, the 19th century produced many of the world's best-loved composers. Beethoven, Brahms, Chopin and Tchaikovsky are just some of the many familiar names whose music was shaped by the events of the period: Discover Music of the Romantic Era charts the course of music through these turbulent but exhilarating times. This light-hearted but authoritative audiobook tells the fascinating, often scandalous, life-stories of the 19th century's greatest composers.
Tracks:
1.1 Chapter 1: The Dawn of the Romantic Era
1.2 The Rise of Romanticism
1.3 Chapter 2: A Musical Revolution
1.4 Symphony No. 3 in E Flat Major, Op. 55, "Eroica": I. Allegro Con Brio
1.5 200 Years After the Event, It Is Difficult to Understand
1.6 Chapter 3: A Radical New Musical Language
1.7 Symphonie Fantastique, Op. 14: IV. Marche Au Supplice: Allegretto Non Troppo
1.8 One of Berliozs Greatest Legacies
1.9 Piano Concerto No. 1 in E Flat Major, S124/R455: Allegro Maestoso - Tempo Giusto -
1.10 As Liszt Grew Older
1.11 Polonaise No. 8 in D Minor, Op. 71, No. 1
1.12 Chapter 4: The Classical Romantics
1.13 Gretchen Am Spinnrade, Op. 2, D. 118
1.14 His Late, Epic Song-Cycle Die Winterreise
2.1 When Schubert Left the Stadtkonvikt
2.2 The Hebrides, Op. 26, "Fingals Cave
2.3 In 1835 Mendelssohn Moved to Leipzig
2.4 Piano Quintet in E Flat Major, Op. 44: IV. Allegro, Ma Non Troppo
2.5 In Addition to Being a Composer
2.6 6 Piano Pieces, Op. 118: No. 2. Intermezzo in a Major
2.7 Chapter 5: Opera in the 19th Century
2.8 Italian Opera
2.9 La Cenerentola (Cinderella), Act II: Nacqui Allaffanno E Al Pianto
2.10 In 1815 Rossini Moved to Naples
2.11 Lucia Di Lammermoor, Act III: Spargi Damaro Pianto
2.12 Without Any Shadow of a Doubt
2.13 Don Carlo, Act I: E Lui Dio Che Nellalma Infondere
2.14 In Verdis Last Two Operas
3.1 German Opera
3.2 Tristan Und Isolde, Act I: Prelude
3.3 As Verdi Had Unpredictably Written a Comic Opera
3.4 Chapter 6: The Nationalists
3.5 Kamarinskaya
3.6 Glinka Was the Inspiration for a New Generation
3.7 Symphony No. 2 in B Minor: I. Allegro
3.8 Modest Mussorgsky (1839?1881)
3.9 Symphony No. 6 in B Minor, Op. 74, "Pathetique": II. Allegro Con Gracia
3.10 This Was the Work That Tchaikovsky Loved
3.11 Bohemia
3.12 Ma Vlast (My Fatherland): No. 2. Vltava (Moldau)
4.1 When Smetana Was Appointed Music Director
4.2 Slavonic Dances, Series 1, Op. 46, B. 83: No. 1 in C Major
4.3 Dvoraks Growing Reputation Led to An Invitation
4.4 Moving West
4.5 Romance in B Flat Major, Op. 28
4.6 From 1896 Faure Was Professor at the Paris Conservatoire
4.7 Peer Gynt Suite No. 1, Op. 46: IV. in the Hall of the Mountain King
4.8 Elsewhere in Scandinavia
4.9 Chapter 7: The Epic Austrian Symphonists
4.10 Symphony No. 1 in D Major, "Titan": III. Feierlich Und Gemessen, Ohne Zu Schleppen
4.11 In Addition to Composing
4.12 Chapter 8: The End of Romanticism
4.13 Equally Romantic Was the Italian Composer, Giacomo Puccini
4.14 Morceaux de Fantaisie, Op. 3: No. 2. Prelude in C Sharp Minor
4.15 In Any Overview of 19Th-Century Music
4.16 Variations on An Original Theme, Op. 36, "Enigma": Variation 9: Nimrod
4.17 The Wistful Melody and Predominance of the Strings
4.18 Into a New Age
