Ruba Al Prossimo Tuo / O.S.T.: Ruba Al Prossimo Tuo (A Fine Pair) (Original Motion Picture Soundtrack)

Ruba Al Prossimo Tuo / O.S.T.: Ruba Al Prossimo Tuo (A Fine Pair) (Original Motion Picture Soundtrack) - VINYL LP

Ruba Al Prossimo Tuo / O.S.T. SKU: 39032218
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Title:

Ruba Al Prossimo Tuo (A Fine Pair) (Original Motion Picture Soundtrack)

Artist:

Ruba Al Prossimo Tuo / O.S.T.

Label:

Digitmovies

Product Type:

VINYL LP

UPC:

8032628998195

Genre:

Soundtrack

Release Date:

2019-06-21

Number of Discs:

1

Digitmovies presents a reissue of Ennio Morricone's soundtrack for Ruba Al Prossimo Tuo, a 1968 film by Francesco "Citto" Maselli. The 1995 GDM Music compilation With Love presented a collection of love themes by Ennio Morricone. One theme, from Ruba Al Prossimo Tuo, was enclosed directly transferred from the music track of the movie itself, but the source was in such terrible conditions that did not make it possible to create a CD master. An expanded suite (from the same disputable source) was later enclosed on a Japanese CD, but unfortunately the sound quality was mediocre. The original master tapes containing the whole original recording session in very good mono sound, have now been discovered. This CD compiles every musical note recorded in 1968. The present version contains only the original music composed by Morricone, conducted perfectly by Bruno Nicolai. Morricone wrote a monothematic score including several orchestral variations of the main theme, a brilliant and very romantic motif with lounge flavor, vocalized by I Cantori Moderni di Alessandroni. Introduced first in "Titoli di Testa" and reprised with several variations throughout the score, the theme is presented in a classic-style version with harpsichord, organ and mandolin, a slow and dreamy version with the voice of Edda and also the choir I Cantori, a samba version, a beat-flavored mysterious version, another version once again with the splendid magical voice of Edda and a slower variation with the whistle of Alessandro Alessandroni. The style of Morricone thus delivers a strongly recognizable second theme, very romantic and lounge-styled, featuring a keyboard used by the author in other scores like Giu La Testa (1971). A classic-style minuet theme with the operatic vocalism of Edda enriches the score. The third theme is a brilliant orchestral samba introduced by a typewriter and developed by the whole orchestra and then reprised with the performance of the wonderful Cantori Moderni.

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