Unger-Hamilton / Siepmann: Discover: Music of the Baroque
Unger-Hamilton / Siepmann
SKU: 15132406
Unger-Hamilton / Siepmann: Discover: Music of the Baroque
Unger-Hamilton / Siepmann
SKU: 15132406
Format: CD
Regular price$31.98
$31.98
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Title: Discover: Music of the Baroque
Artist: Unger-Hamilton / Siepmann
Label: Naxos Audio Books
Product Type: COMPACT DISCS
UPC: 9789626349595
Genre: Classical
Naxos AudioBook Grandiose and glamorous, Baroque music stands alone, written to glorify the finest courts of Europe. It's greatest composers, such as Vivaldi, Handel and Bach, head a fascinating cast of musical magicians, including Albinoni, Pachelbel and Scarlatti. Their lives are as intriguing as their music: we find virtuoso performers who earned their bread and butter in the cathedrals of Europe while keeping company with kings and queens, and setting opera houses ablaze across the continent with their fabulous new music. Discover Music of the Baroque Era is rich in musical detail.
Tracks:
1.1 Chapter 1: Enter the Players
1.2 Individuality
1.3 Italy: The Cradle of the Baroque
1.4 Concerto Grosso in B Minor, Op. 6, No. 12, HWV 330: III. Larghetto, E Piano - Variatio
1.5 Instrumental Development and Choral Virtuosity
1.6 Violin Sonata No. 1 in G Minor, BWV 1001: I. Adagio
1.7 This Change Is Especially Dramatic
1.8 Keyboard Sonata in D Minor, K. 120/L.215/P.146: Allegrissimo
1.9 Many Regard the Choral Music of J.S. Bach
1.10 Jauchzet Gott in Allen Landen, BWV 51: Aria: Jauchzet Gott in Allen Landen!
1.11 It's Time Now to Go Back to the Early Seventeenth Century
1.12 Il Salmo Miserere Mei Deus
1.13 Chapter 2: The Beginnings ? Italy
1.14 Sacrae Symphoniae: Sonata Pian E Forte a 8 (Arr. E. Crees for Brass)
1.15 The Contribution to Music of the Next Great Italian Composer
1.16 Vespers of the Blessed Virgin: Domine Ad Adiuvandum
1.17 When Monteverdis Patron Died in 1612
1.18 Mein Junges Leben Hat Ein End, SWWV 324
1.19 As Well As Being An Outstanding Composer
1.20 La, la, la, Je Ne Lose Dire
1.21 Well Now, from the Engaging Work of a Minor Composer
1.22 Psalmen Davids Sampt Etlichen Moteten Und Concerten, Op. 2: Jauchzet Dem Herren, Alle Welt, SWV 36, "Psalm 100
1.23 In 1625 Schutz Was Stricken By the Death of His Wife
1.24 England
1.25 Royal Consort in D Major for 2 Theorbos: V. Ecco
1.26 When Civil War Broke Out in England
2.1 Chapter 3: The Fashion Spreads ? Different Styles for Different Lands
2.2 Development of Dance Suites
2.3 Major, Minor and Modulation
2.4 Italy: The Land of Song
2.5 O Di Betlemme, Altera Poverta: Aria: Lautor Dogni Mio Bene
2.6 The Violin
2.7 Sonata in D Major a 8 Viole Con Una Tromba: I. Allegro
2.8 Stradella, Incidentally, While Not in the First Division
2.9 Germany
2.10 Membra Jesu Nostri, Buxwv 75: III. Ad Manus: Quid Sunt Plagae Istae
2.11 Some Years Younger Than Buxtehude Was Johann Pachelbel
2.12 Toccata in C Major
2.13 France
2.14 Benedictus: Benedictus
2.15 Less Formal in His Approach to Composition
2.16 Un Flambeau, Janette, Isabelle!, H. 460C
2.17 French Keyboard Music
2.18 England
2.19 Hear My Prayer, O Lord, Z. 15
2.20 In 1683 Came the First of Purcells Odes for St Cecilias Day
2.21 Dido and Aeneas, Z. 626, Act III: When I Am Laid in Earth
2.22 A Few Years Later, at the End of the Freezing Winter of 1695
2.23 Chapter 4: Full Flower ? High Baroque
2.24 Italy
2.25 Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": VI. Pastorale
2.26 Born Near Bologna, Corelli Began to Learn the Violin
2.27 Flute Concerto in D Major, Op. 10, No. 3, RV 428, "Il Gardellino": I. Allegro
2.28 It Must Have Been the Public Thirst for Novelty
2.29 Beatus Vir in C Major, RV 597: Beatus Vir Qui Timet Dominum
2.30 It Seems As If Vivaldi Became Restless
3.1 Baroque Concertos Beyond Vivaldi
3.2 Keyboard Sonata in E Major, K.380/L.23/P.483: Andante Comodo
3.3 By Contrast, the Sonata in D Major, K. 96 Is Much More Rapid
3.4 Keyboard Sonata in D Major, K. 96/L.465/P.210: Allegrissimo
3.5 Germany
3.6 Prelude and Fugue in G Major, BWV 550
3.7 Although He Appeared to Have Been Comfortable Enough
3.8 Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro Assai
3.9 At Least Two of Bachs Four Orchestral Suites
3.10 The Well-Tempered Clavier, Book 1: Prelude and Fugue No. 16 in G Minor, BWV 861
3.11 One Vocal Work to Emerge from Bachs Secular Years
3.12 Weichet Nur, Betrubte Schatten, BWV 202, "Wedding Cantata": Aria: Sich Uben Im Lieben
3.13 It Was on His Return from a Visit to Karlsbad
3.14 ST. Matthew Passion, BWV 244, Part III: Chorus: Wir Setzen Uns Mit Tranen Nieder
3.15 There Were Consolations in Bachs Difficult Time in Leipzig
3.16 Keyboard Concerto in F Minor, BWV 1056: II. Largo
3.17 Towards the End of the Seventeenth Century
3.18 German Opera
3.19 Overture (Suite) in D Major, TWV 55:D15: VIII. Rejouissance
3.20 Telemann Has Sometimes Been Accused of Superficiality
4.1 France
4.2 Pieces de Clavecin, Book 1: 1st Ordre in G Minor-Major: Les Sentiments
4.3 Further on in the Same Suite
4.4 Pieces de Clavecin, Book 1: 1st Ordre in G Minor-Major: La Manon
4.5 In 1716, at the Height of His Fame and Success
4.6 Abaris Ou Les Boreades: Gavotte Pour Les Fleures Et Les Zephirs
4.7 Unfortunately, the Opera Was Never Produced
4.8 VII. Musette en Rondeau
4.9 VIII. Tambourin
4.10 England
4.11 Rinaldo, HWV 7, Act II: Aria: Lascia Chio Pianga
4.12 Back in Hanover the Following Summer
4.13 Acis and Galatea, HWV 49, Act II: Aria: O Ruddier Than the Cherry
4.14 Italian Opera at This Time Was All the Rage in London
4.15 Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille
4.16 As the Public Wearied of Temperamental Divas and Castrati
4.17 Messiah, HWV 56, Part I: For Unto a Child Is Born
4.18 Strange to Say, Messiah Was Not So Well Received
4.19 Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328: VI. Allegro Moderato
4.20 Handel Surely Sensed That the Musical World
4.21 Coda
Artist: Unger-Hamilton / Siepmann
Label: Naxos Audio Books
Product Type: COMPACT DISCS
UPC: 9789626349595
Genre: Classical
Naxos AudioBook Grandiose and glamorous, Baroque music stands alone, written to glorify the finest courts of Europe. It's greatest composers, such as Vivaldi, Handel and Bach, head a fascinating cast of musical magicians, including Albinoni, Pachelbel and Scarlatti. Their lives are as intriguing as their music: we find virtuoso performers who earned their bread and butter in the cathedrals of Europe while keeping company with kings and queens, and setting opera houses ablaze across the continent with their fabulous new music. Discover Music of the Baroque Era is rich in musical detail.
Tracks:
1.1 Chapter 1: Enter the Players
1.2 Individuality
1.3 Italy: The Cradle of the Baroque
1.4 Concerto Grosso in B Minor, Op. 6, No. 12, HWV 330: III. Larghetto, E Piano - Variatio
1.5 Instrumental Development and Choral Virtuosity
1.6 Violin Sonata No. 1 in G Minor, BWV 1001: I. Adagio
1.7 This Change Is Especially Dramatic
1.8 Keyboard Sonata in D Minor, K. 120/L.215/P.146: Allegrissimo
1.9 Many Regard the Choral Music of J.S. Bach
1.10 Jauchzet Gott in Allen Landen, BWV 51: Aria: Jauchzet Gott in Allen Landen!
1.11 It's Time Now to Go Back to the Early Seventeenth Century
1.12 Il Salmo Miserere Mei Deus
1.13 Chapter 2: The Beginnings ? Italy
1.14 Sacrae Symphoniae: Sonata Pian E Forte a 8 (Arr. E. Crees for Brass)
1.15 The Contribution to Music of the Next Great Italian Composer
1.16 Vespers of the Blessed Virgin: Domine Ad Adiuvandum
1.17 When Monteverdis Patron Died in 1612
1.18 Mein Junges Leben Hat Ein End, SWWV 324
1.19 As Well As Being An Outstanding Composer
1.20 La, la, la, Je Ne Lose Dire
1.21 Well Now, from the Engaging Work of a Minor Composer
1.22 Psalmen Davids Sampt Etlichen Moteten Und Concerten, Op. 2: Jauchzet Dem Herren, Alle Welt, SWV 36, "Psalm 100
1.23 In 1625 Schutz Was Stricken By the Death of His Wife
1.24 England
1.25 Royal Consort in D Major for 2 Theorbos: V. Ecco
1.26 When Civil War Broke Out in England
2.1 Chapter 3: The Fashion Spreads ? Different Styles for Different Lands
2.2 Development of Dance Suites
2.3 Major, Minor and Modulation
2.4 Italy: The Land of Song
2.5 O Di Betlemme, Altera Poverta: Aria: Lautor Dogni Mio Bene
2.6 The Violin
2.7 Sonata in D Major a 8 Viole Con Una Tromba: I. Allegro
2.8 Stradella, Incidentally, While Not in the First Division
2.9 Germany
2.10 Membra Jesu Nostri, Buxwv 75: III. Ad Manus: Quid Sunt Plagae Istae
2.11 Some Years Younger Than Buxtehude Was Johann Pachelbel
2.12 Toccata in C Major
2.13 France
2.14 Benedictus: Benedictus
2.15 Less Formal in His Approach to Composition
2.16 Un Flambeau, Janette, Isabelle!, H. 460C
2.17 French Keyboard Music
2.18 England
2.19 Hear My Prayer, O Lord, Z. 15
2.20 In 1683 Came the First of Purcells Odes for St Cecilias Day
2.21 Dido and Aeneas, Z. 626, Act III: When I Am Laid in Earth
2.22 A Few Years Later, at the End of the Freezing Winter of 1695
2.23 Chapter 4: Full Flower ? High Baroque
2.24 Italy
2.25 Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto": VI. Pastorale
2.26 Born Near Bologna, Corelli Began to Learn the Violin
2.27 Flute Concerto in D Major, Op. 10, No. 3, RV 428, "Il Gardellino": I. Allegro
2.28 It Must Have Been the Public Thirst for Novelty
2.29 Beatus Vir in C Major, RV 597: Beatus Vir Qui Timet Dominum
2.30 It Seems As If Vivaldi Became Restless
3.1 Baroque Concertos Beyond Vivaldi
3.2 Keyboard Sonata in E Major, K.380/L.23/P.483: Andante Comodo
3.3 By Contrast, the Sonata in D Major, K. 96 Is Much More Rapid
3.4 Keyboard Sonata in D Major, K. 96/L.465/P.210: Allegrissimo
3.5 Germany
3.6 Prelude and Fugue in G Major, BWV 550
3.7 Although He Appeared to Have Been Comfortable Enough
3.8 Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro Assai
3.9 At Least Two of Bachs Four Orchestral Suites
3.10 The Well-Tempered Clavier, Book 1: Prelude and Fugue No. 16 in G Minor, BWV 861
3.11 One Vocal Work to Emerge from Bachs Secular Years
3.12 Weichet Nur, Betrubte Schatten, BWV 202, "Wedding Cantata": Aria: Sich Uben Im Lieben
3.13 It Was on His Return from a Visit to Karlsbad
3.14 ST. Matthew Passion, BWV 244, Part III: Chorus: Wir Setzen Uns Mit Tranen Nieder
3.15 There Were Consolations in Bachs Difficult Time in Leipzig
3.16 Keyboard Concerto in F Minor, BWV 1056: II. Largo
3.17 Towards the End of the Seventeenth Century
3.18 German Opera
3.19 Overture (Suite) in D Major, TWV 55:D15: VIII. Rejouissance
3.20 Telemann Has Sometimes Been Accused of Superficiality
4.1 France
4.2 Pieces de Clavecin, Book 1: 1st Ordre in G Minor-Major: Les Sentiments
4.3 Further on in the Same Suite
4.4 Pieces de Clavecin, Book 1: 1st Ordre in G Minor-Major: La Manon
4.5 In 1716, at the Height of His Fame and Success
4.6 Abaris Ou Les Boreades: Gavotte Pour Les Fleures Et Les Zephirs
4.7 Unfortunately, the Opera Was Never Produced
4.8 VII. Musette en Rondeau
4.9 VIII. Tambourin
4.10 England
4.11 Rinaldo, HWV 7, Act II: Aria: Lascia Chio Pianga
4.12 Back in Hanover the Following Summer
4.13 Acis and Galatea, HWV 49, Act II: Aria: O Ruddier Than the Cherry
4.14 Italian Opera at This Time Was All the Rage in London
4.15 Keyboard Suite No. 7 in G Minor, HWV 432: VI. Passacaille
4.16 As the Public Wearied of Temperamental Divas and Castrati
4.17 Messiah, HWV 56, Part I: For Unto a Child Is Born
4.18 Strange to Say, Messiah Was Not So Well Received
4.19 Concerto Grosso in D Minor, Op. 6, No. 10, HWV 328: VI. Allegro Moderato
4.20 Handel Surely Sensed That the Musical World
4.21 Coda
